I finished reading all the incursions last week and have been sitting around thinking about what to say.
I mean, obviously there is a huge amount of talent rolled up in this competition. I do not envy Jason and Jesse’s task.
I came into this as a Trophy amateur (and I think that’s being rather generous). I have not had a chance to actually run Trophy and I have not seen the other incursions in the codex ( aside from the one I just received this month * squeals of joy*) and was basing (incorrectly perhaps haha)my submission only off of the basic rules found in Dark2, alone.
With that caveat I can see some of my own misconceptions in what I created which were definitely just assumptions on my part, but lead me to questions about incursion formation.
I see a wide range of specificity in the entries and I’m curious if this suggests a comfortability with improvisation.
I personally love improvising at the table. this, and the grim-dark horror elements are what drew me to Trophy in the first place. But have those of you who have run Trophy seen a lot of buy-in from non improv enthusiasts? I’ll say, people accustomed to gridded play and miniatures.
Another interesting thing about all of the entries is how there are several themes that are the same, but the expression of those themes is so unique. do you think that narrowing the context of the theme hampering to building an incursion? does Trophy shine when spoken in broader brush strokes?
I feel like my knee-jerk reaction to these questions I have is to shrug and go " eh … it’s complicated man", but I do find value in pondering these ideas. There is wealth in seeing these incursions built. THARS GOLD IN DEM HILLS!
sorry ^_^;
The entries themselves, boy to I have so biased opinions here, haha. there are just certain things in horror that turn my gears. So I just made some vague categories and started shuffling things here and there.
I am no impartial judge and, I reiterate, I do not envy Jason and Jesse’s task.
My favorite title for these entries.
The Moon That Breathes
I am definitely the guy that will buy a book based off of its cover. I’m a sucker for evocative images and evocative words and this title ALONE gives me the heebee jeebies and I love it. This incursion is solid and I really enjoyed reading it, but when I first opened up the folder and skimmed through the entries, This is the one I wanted to read first.
Favorite Theme(s)
A Warm and Pleasant Hum
Bees
I was surprised by how effective this themes was, and how true it was to a very specific thematic element through and through. I mistakenly thought it would be silly, like Nicholas Cage screaming about bees in the wickerman. Oh how I was wrong. From the moment of the envenomed horse in ring one I was astounded and chilled. I like it very much.
The Gallery of Castien DeRont
Art
Another surprisingly chilling theme to me. As a paranid artist I felt a lot of these images hit close to home and did not expect to feel such dread out of things like statues and paintings. The final ring where players describe what happens to the other hunters in the paintings makes me REALLY want to run this, haha.
Super biased favorite
Oil
My justification is really just that I have an affinity for stories about oil barons and pipelines. I really enjoyed this from that kind of setting, and the imagery of the earth’s flesh under the dirt will stick with me whenever I think about the topic, I think
Scenario(s)
both of these entries give me a sort of Cautionary-tale-Aesop-fable vibe and I dig it. there’s something primordial in their fear.
Plantation is like an R rated animal farm
We’re Going On a Bear Hunt is like one of those dreams where you see the nightmare coming but you’re caught on rails.
Both of these have a stalking sense of dread throughout them. one is more visceral, the other more intangibly frightening and I want to make pictures of them both, haha
There’s more. oh boy is there more. but I think I’ll let this lay here for now.
Splendid work everyone!